Another version of Miracle Train: Chuo-sen e Youkoso.
The first version of the Miracle Train project focused on
the stations of the central Chuo line, while the new anime
and related stories deal with the Oedo subway line. As a
result, the anime will feature a newer cast of characters
— specifically, Fumi Roppongi, Rintarou Shinjuku,
Izayoi Tsukishima, Iku Shiodome, Saki Tochou, and Itsumi
Ryougoku.
My reaction, upon watching the first episode, was: _this is
the dumbest thing I have watched in a long time, and that
includes the time I spent watching __Kamen no Maid Guy__._
But I can handle dumb! And this seemed like...a generic,
fluffy kind of dumb that could be mildly entertaining. Or so
I thought. The premise: _A train that presents itself only
to young women in trouble, the Miracle Train and its six
(handsome) personifications of the major stations on the
Oedo train line will help passengers solve their problems._
__Sounds like a nice, light show, right?__ Something light
and episodic is all I’m expecting. So at first, I’m not
surprised: the stations are all cute and charming, from
leader Tocho (terminal station which has a lot of government
offices) being reserved, rules-loving and glasses wearing…
…to Shinjuku being a flirt and having a more loose, modern
appearance
But what I wasn’t prepared for is how incredibly _dull_ the
problems they’re solving are. A girl loses her dog but her
real problem is that she’s too shy to talk to classmates. A
woman contemplates whether she should take an overseas job.
A girl hates trains because her parents are obsessed with
them. I’m not saying I expected (or wanted) something
horrific, but maybe something a bit deeper than “I don’t
know how to tell my crush I like him” (episode 5). Sprinkled
throughout are bits of train/station trivia. My opinion
didn’t change until episode 7, which is like 4 episodes
longer than I would normally recommend watching something
that seems dull (I figure 3 episodes, max, should make a
decision). There are hints of something deeper, addressing
the questions I had. In episode 3 it’s plainly stated: _once
on the Miracle Train, passengers literally can’t leave until
their problem is solved._ If they try, they just end up
walking back into the train car. __That’s…horrifying.__
And in episode 7, they start questioning what’s going on!
Why do the stations exist as beings in the first place? Why
the Miracle Train? How does all this work? So I though,
_hey, finally we’re getting some depth!_ The more
interesting parts of the series are the _why._ Why do the
stations have form at all? (Beyond the 6 main ones we meet,
we meet a handful of other, minor stations, so it’s a safe
assumption that all stations have some sort of form.) Where
did the Miracle Train come from and _why?_ What’s its
purpose? What kind of magical powers do the stations have?
Why is the conductor suspicious as hell? Why does he wear a
mask? _Why is there a minor station in episode 8 __that has
children of his own__ and HOW IS THAT EVEN POSSIBLE????_ And
because the show seems aware of these questions, it tricks
you! It makes you think you’ll get answers before the end! #
__YOU DO NOT__ The final two episodes seem like they’re
going to address all the questions that have built up! And
then! They don’t!!! They “solve” one problem and everyone is
like ¯|_(ツ)_/¯ _let’s continue solving extremely minor
problems for women_ __Shinjuku:__ It’s not clear how we
became people, either. __Shiodome:__ You don’t know?
__Shinjuku:__ Are you saying you know? __Shiodome:__ Uh?…Ah!
We’re station fairies! __This exchange is never follow up
upon. ever. we don’t know if the station personifications
are created by an outside force or just spontaneously come
into being as their station is being built and I am so
angry.__ ___Verdict___ _English dub?_ No _Visuals:_ Nice,
exactly what you’d expect from a series about a group of
handsome, gentle men (or male-appearing entities): distinct
character designs, all in their late teens/early twenties.
_Worth watching?_ Absolutely not. You get flashes of
potential–the girl who is upset that she’s _literally
trapped on the train until her problem is solved,_ like
finally we recognize there’s an element of horror, the
entire concept that stations can manifest? And they can
summon, like, entire grills for cooking and board games on
the train, and just hang out with each other when they’re
not helping women? It could’ve been fun! But it has all the
depth of a paper plate and doesn’t actually follow up on
anything interesting. And I’m STILL angry because if it had
just stuck to ignoring the questions, it could’ve been OK.
But it introduced all these questions _and acknowledged them
and then completely failed to answer them_ and that’s just.
bad storytelling. The last 2 episodes throw _SO MUCH_ magic
woo at you and then do absolutely _nothing_ with it. I mean,
at the last second it’s implied that the _dog mascot_ that
has done nothing all series is some sort of _overseer god
figure_ and _THEY DON’T DO ANYTHING MORE._ It’s like they
were actively putting effort into creating plotholes and
dead ends.