Joutarou Aragaki, former member of the national team, had
given his whole life for gymnastics and was fighting against
his age and physical strength. However, one day he is told
by his coach to start thinking of his next career. Joutarou
struggles, but his daughter, Rei, is always there by his
side. But with one fateful encounter, the Aragakis’ lives
change drastically.
(Source: Funimation)
~~~_In 2002, the world of Japanese men’s gymnastics was
still strong. Jotaro Aragaki devoted his entire life to the
sport, but things didn’t go as planned. His coach Amakusa
suggests he retires. But then an encounter comes that
changes the fate of the Aragaki family forever._~~~ I’ll be
honest: I pick this up based solely on the image (poster?
key image? Surely there _has_ to be a name for these
things?) that Funimation used:
Let’s see, we’ve got 1) mention of gymnastics, 2) a bright
and happy color scheme, 3) guy who looks like an adult, not
creepy, 4) little girl, unsexualized, 5) random assortment
of weird items. So, the vibe I’m getting is “not _serious_
but not wacky, with gymnastics.” And gymnastics is cool! I’m
a simple person, really.
We start off with Jotaro, in his late 20s, presumably past
his prime as a pro gymnast, and with few recent wins
compared to his glory days as “the gymnastics samurai” in
90s Olympics, the nickname coming from his ponytail
hairstyle. With his career stagnating and a daughter to
raise, he must make changes. While trying to work up the
courage to tell his daughter (and biggest cheerleader) that
he’s going to retire, they take a trip to Edo Wonderland and
meet a character who changes everything. This wasn’t your
typical sports anime, though the gymnastics are featured and
fun to watch. Jotaro has competitors, yes, but his main
problem isn’t a rival, it’s having to change himself. And
not just “work harder, take things seriously” as is normal
in sports stories, but he essentially has to re-learn how to
listen to people.
Jotaro was a nice, interesting protagonist. He’s not mean or
dumb, but he tends to take things at face value and
sometimes not even that, processing comments through the
filter of what he’s already thinking about, and therefore
missing things that aren’t metaphorically flashing neon
signs in front of him. And it’s not just played for laughs,
it’s an actual weakness: he’s completely missed things his
longtime coach has been trying to tell him, and it nearly
leaves him gymless. He was emotionally supported by his
wife, and when she died–a few years (I think?) before the
series started–he didn’t notice that his young daughter
started picking up some of those emotional responsibilities.
So through the series, Jotaro has to learn to
listen—_actually_ listen—to his fellow adult professionals
if he’s going to be a real competitor. Don’t mistake this
for a show about a manbaby or deadbeat dad, though. Jotaro
struggles to balance home life and pro life, but a large
part of the show is him realizing that the balance doesn’t
just _happen_, and working to pay better attention to
daughter Rei, so she doesn’t feel the need to act as an
adult that she’s not. And he’s a caring and loving dad, not
just a fun-loving bro.
There’s a theme through the series: whether in gymnastics or
personal life, what _has_ been happening is not sustainable,
and needs to change. Not because what _has_ been happening
is horrible or bad, but because what _has_ been happening is
based on expectations, bodies, people, or conditions that
have changed. If the characters don’t change in response,
they’ll stagnate. Jotaro isn’t the only focus of the series,
however. His daughter Rei, and the ninja Leo they pick up
from a historical theme park in episode 1 get a lot of the
focus in the second half of the series. Both characters have
their own issues and insecurities that show more as the
series goes on: both have their own relationships with
Jotaro, and their own emotional investment in his career
that they partially use as a proxy for their more
uncomfortable, personal issues.
The setting is 2002, and _The Gymnastics Samurai_ won’t let
you forget it, whether it’s the characters’ cell phones, or
the ganguro bartender Ayu, a wonderful character about whom
I would watch an _entire_ series.
The show, while overall light, has some deep themes of
attachments and relationships, how people see themselves and
others, and how feeling other people’s expectations (or even
what you think their expectations are) can affect you, even
if you have a different relationship with the thing being
expected. ___Verdict___ _English Dub?_ Yes _Visuals:_ Very
nice, modern and clean lines. CG models are used for some of
the gymnastics routines, but they’re done fairly well.
_Worth Watching?_ Yes. It’s not particularly _realistic_
(ninja Leo is pursued by mysterious sunglasses-wearing
professionals during several episodes for reasons that are
explained later, but which you can generally accept as
cartoon drama; the family owns a talking turquoise bird),
but it was fun. And more than that, I enjoyed a sports show
with an adult protagonist, and the growth the characters
(but especially Jotaro) have in learning to change.